Tuesday, February 25, 2014

Week VI: OFFER




Giorgio Morandi























Offer in the sense of give...  A gift, the notion of potlatch, or, the gift containing it's own return... Bountiful...

_____

Girogio Morandi, one of a kind. A painter's painter (before the term became a commonplace)--his work unque in it's balance between careful looking and total attention to making real...

The one above might be his most mysterious (the resolution is a little low, however); the one below shows you how inside and outside--object and background--are really one and the same... all movement and feeling...


Giorgio Morandi





















In one sense, this James Wright poem doesn't fit, but then a James Wright poem will fit anywhere--just like a Morandi--reminding us that we are the makers---and that our material is...well, everything...


As I Step Over A Puddle At The End Of Winter, I Think Of An Ancient Chinese Governor

And how can I, born in evil days
And fresh from failure, ask a kindness of Fate?

-- Written A.D. 819


Po Chu-i, balding old politician,
What's the use?
I think of you,
Uneasily entering the gorges of the Yang-Tze,
When you were being towed up the rapids
Toward some political job or other
In the city of Chungshou.
You made it, I guess,
By dark.

But it is 1960, it is almost spring again,
And the tall rocks of Minneapolis
Build me my own black twilight
Of bamboo ropes and waters.
Where is Yuan Chen, the friend you loved?
Where is the sea, that once solved the whole loneliness
Of the Midwest?Where is Minneapolis? I can see nothing
But the great terrible oak tree darkening with winter.
Did you find the city of isolated men beyond mountains?
Or have you been holding the end of a frayed rope
For a thousand years?




Wednesday, February 19, 2014

Week V: BEHOLD


Velasquez, Las Meninas (detail)























It was going to be RENEW--but somehow this seemed prosaic (maybe just my associations) so I relied on my evening walk yesterday--past the window of the Christian Science Reading Room--where I always take a peek at the verse on display (large bible, illuminated to be read from outside, cropping guides to indicate the verse). This time it was from Revelations. I usually remember--or write it down--but yesterday it's just the one word (BEHOLD) that stayed with me...

There are other, personal associations, too--may tell you in class. But for now, this seems like a good start...

______

Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
Hark! now I hear them,--ding-dong, bell.


William Shakespeare / The Tempest


Las Meninas (larger detail)


Sunday, February 16, 2014

Room 170--Dates available

Room 170--Dates available at 6pm

Mar 4
Mar 11
Mar 18
Apr 8
Apr 29

Arch 140 GSI Gwen Fuertes will confirm as they come up, and I'll try to let you know if there's any change. However, we have 101 as a backup, so if Arch 140 is still going at 6pm--then come to 101...


Wednesday, February 12, 2014

Week IV: TRUST


Milton Avery, 1950s




















Good class last night--sorry to miss Rebecca and Monica--we'll see you the next time. Discussion involved a good many of you--that's important--we all benefit from each other's ideas--and sometimes each other's silences. There are many ways of responding to work--finding your own is the key. Remember the point about "ideas"--that good ones often come from working in itself--that is, the idea follows the act.... You find out where you're going by getting started and seeing where the path may lead... Of course, everyone has favorite materials and favored starting points--we recognize these each week in each other's work (they're the beginning of a "style") --and they can be either a guides or a limitation, depending how openly your able to employ them. (Re-read those couple of sentences!) I still believe that openness--to feeling, to exploration, to (okay, even this) revelation is pretty much what it's all about...

The word for this week is TRUST. I think it needs a verb (you can supply one) in conjunction. For example:

TRUST / run
TRUST / hold
TRUST / lift

A little different. Involves the element of time, as well as that of action. Let's see where this takes us!

Milton Avery, Green Sea

Monday, February 3, 2014

Week III: RANGE

Central Valley








Lost Fan, Hotel California, Fresno, 1923
Larry Levis

In Fresno it is 1923, and your shy father
Has picked up a Chinese fan abandoned
Among the corsages crushed into the dance floor.
On it, a man with scrolls is crossing a rope bridge
Over gradually whitening water.
If you look closely you can see brush strokes intended
To be trout.
You can see the whole scene
Is centuries older
Than the hotel, or Fresno in the hard glare of morning.
And the girl
Who used this fan to cover her mouth
Or breasts under the cool brilliance
Of chandeliers
Is gone on a train sliding along tracks that are
Pitted with rust.
All this is taking her south,
And as your father opens the fan now you can see
The rope bridge tremble and the lines of concentration
Come over the face of this thin scholar
Who makes the same journey alone each year
Into the high passes ...

_______



Xia Gui, hand fan, Southern Song Dynasty (12th century)














 =

And this, the first poem from Ezra Pound's  Confucius to Cummings: An Anthology of Poetry (New Directions, 1964), a most valuable collection: